15 – 113mins – 2015
“Fair is foul and foul is fair”-ly off-putting in this latest big-screen adaptation of the Scottish play. Despite receiving a slew of award nominations and critical praise aplenty, director Justin Kurzel – currently filming the Assassin’s Creed movie with his Macbeth leading man – has arthouse aspirations for Shakespearian theatre which simply put me in mind of the overblown disaster that was Darren Aronofsky’s biblical epic Noah (2014).
Haunting orchestral music strong with strings soundtracks artistically choreographed, slow-mo heavy battle scenes in near-silhouette, with much of the action played out on what look to be soundstages backed with beautifully picturesque landscapes.
Steve Jobs’ versatile Michael Fassbender does an admirable job as the troubled Thane of Cawdor with murder on his mind, but this lofty retelling just feels far too obviously staged and unnatural, leaving me cold to the verbose human drama and “supernatural soliciting” which follows the grimy, mist-shrouded battlefields.