STAR TREK: DISCOVERY, 1.2 – “Battle at the Binary Stars” (Netflix Review)

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Streaming on UK Netflix from: Monday 25th September 2017

Story by: Bryan Fuller

Teleplay by: Gretchen J. Berg and Aaron Harberts

Directed by: Adam Kane


 

A HERO’S DEMISE

Following immediately on from the cliffhanger which left jaws agape at the close of “The Vulcan Hello” (reviewed HERE), Star Trek: Discovery episode 1.2 feels more like the second half of a two-part story than an isolated instalment in its own right. It is now clear why CBS and Netflix aired/released both episodes at the same time, because this is essentially the conclusion of the new show’s prologue; the televisual equivalent of a comic issue zero.

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STAR TREK: DISCOVERY, 1.1 – “The Vulcan Hello” (Netflix Review)

Streaming on UK Netflix from: Monday 25th September 2017

Story by: Bryan Fuller and Alex Kurtzman

Teleplay by: Akiva Goldsman and Bryan Fuller

Directed by: David Semel


 

LIGHT THE BEACON

“They are coming.”

After a century of only fleeting interaction between the Starfleet of Earth and the warriors of the Klingon Empire, a war is on the horizon as the Klingons pursue a “crusade of self-preservation” against those who purport to “come in peace.” Captain Philippa Georgiou’s (Michelle Mechanic: Resurrection Yeoh) USS Shenzhou is the Federation starship which first encounters the oncoming storm…

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BEN: A Tribute to Michael Jackson (Live Review)

The Apex, Bury St Edmunds –21st September 2017 – Tickets £21.00

Official WebsiteTwitter


 

DANCING MACHINES

As my nearest and dearest will attest, I am very much a staunchly-protective Michael Jackson fan – as evidenced by the fact that I was nearly reduced to tears of outrage while watching Cirque Du Soleil’s Immortal World Tour when it hit the o2 back in 2011 (but that’s another story). Since losing my idol in 2009, it’s hard for even official Estate-licenced tributes to cut the mustard, the man really was a one off. “Stay away then!” you may yell, but that misses the point of supporting and celebrating the man, the music and the performances I have loved and cherished since I was 7 years old.

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mother! (Cinema Review)

18 – 121mins – 2017


 

MATRIACHAL METAPHORICAL MADNESS

From the controversial Requiem for a Dream to the crucified Noah, via underappreciated The Fountain to Oscar-winner Black Swan, acclaimed filmmaker Darren Aronofsky certainly cannot be accused of ever holding back on his confrontational and surrealist visions. In his latest audience-dividing vision, striking psychological thriller mother!, he may well have crafted his boldest, bloodiest and most bonkers audio/visual art-piece to date – for better or worse!

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A Nightmare on Elm Street 2: Freddy’s Revenge (Blu-ray Review)

18 – 87mins – 1985


THE DEADLY DINOSAUR

“Something is trying to get inside my body…”

Set five years after the original Nightmare (reviewed HERE), quickly-produced sequel Freddy’s Revenge sees high schooler Jesse Walsh (Mark Patton) and his family move onto Elm Street – and into the former home of dream-stalked survivor Nancy Thompson. Upon reading Nancy’s left-behind diary, Jesse is bedevilled with horrific night terrors and uncharacteristically violent outbursts. From beyond the grave, Freddy Krueger (Robert Englund) needs a host body to carry out his revenge against the community’s youth.

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Rupture (Blu-ray Review)

15 – 102mins – 2016


 

PETRIFIED PAST DEATH

“We’ve been waiting for you for a long, long time and finally we have you…”

Arachnophobic single mother Renee (Noomi Unlocked Rapace) is kidnapped by a mysterious organisation and subjected to a string of chemical and psychological tests in an effort to rupture her genetic code and transform her into something more than human in this slow-drip sci-fi-hued thriller from Secretary director Steven Shainberg.

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It (Cinema Review)

15 – 135mins – 2017


 

IT FOLLOWS

Tweaking the timeline of Stephen King’s thousand-word tome slightly, the filmmakers behind this box office-record breaking horror hit have, very shrewdly, hit upon a meta jackpot. While Derry is still the US town plagued by the eponymous clown-faced being, the decade has been shifted to the late 1980s and the frequency of its child-napping attacks reduced from 30 to every 27 years. Not only does this mean that the newly-greenlit sequel will take place in the modern day, its also a nice little nod to the fact that It first haunted audiences 27 years ago in ABC’s 1990 mini-series (reviewed HERE).

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