It (Cinema Review)

15 – 135mins – 2017


 

IT FOLLOWS

Tweaking the timeline of Stephen King’s thousand-word tome slightly, the filmmakers behind this box office-record breaking horror hit have, very shrewdly, hit upon a meta jackpot. While Derry is still the US town plagued by the eponymous clown-faced being, the decade has been shifted to the late 1980s and the frequency of its child-napping attacks reduced from 30 to every 27 years. Not only does this mean that the newly-greenlit sequel will take place in the modern day, its also a nice little nod to the fact that It first haunted audiences 27 years ago in ABC’s 1990 mini-series (reviewed HERE).

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It (TV Mini-Series Review)

15 – 192mins (combined duration) – 1990

Teleplay by: Tommy Lee Wallace (2 episodes) & Lawrence D. Cohen (1 episode)

Based on the novel by: Stephen King

Directed by: Tommy Lee Wallace


 

CLOWNIN’ AROUND

Every 30 years, the sleepy US town of Derry is befallen by an apparent natural disaster which sees many of the community’s children killed. Only 12 year-old Michael (Marlon Taylor) and his gang of young outcasts are willing to face the truth: these ‘natural disasters’ are, in fact, the handiwork of a malevolent entity which takes the form of sinister Pennywise the Clown (Tim Curry). When the killings start again, adult Michael (Tim Reid) rounds up the long-parted pals to conquer ‘It’ once and for all.

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Death Note (Netflix Review)

15 – 100mins – 2017


 

LIGHT-MARE SCENARIO

“I have a Death God.”

Following his Hollywood breakthrough with 2011’s superb horror hit You’re Next, young auteur Adam Wingard established himself as a compelling new voice of the grisly genre. His credentials were further strengthened as a proponent of anthology pieces such as V/H/S (although he had no hand in the god-awful threequel, reviewed HERE) and The ABCs of Death, while 2014’s The Guest showed there was more to his talent than merely scarlet sauce, shrieks and scares.

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Aladdin The Musical (Live Review)

Prince Edward Theatre, London – A Delfont Mackintosh Theatre

Official Website – Box Office (Booking until February 2018)


 

DIAMOND IN THE ROUGH

As a much-watched and much-adored film in my youth, the recently-opened West End production of Disney’s animated classic Aladdin has been on my “must see” list since it made the move from Broadway to UK shores in June of last year. After far fewer than “One Thousand and One Nights,” I was fortunate enough to take a magic carpet ride to London’s Prince Edward Theatre last week for a weekday evening performance of this magical musical extravaganza.

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Atomic Blonde (Cinema Review)

15 – 115mins – 2017


 

DECEIVE THE DECEIVER

Michael Jackson’s golden era, the Star Wars sequels, Red Dwarf‘s early years, Tetris… and me. The 1980s produced some of my all-time favourite things. Yet new spy thriller Atomic Blonde is proof that even the most nostalgic can have too much of a good thing.

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THE HANDMAID’S TALE, 1.7 – “The Other Side” (TV Review)

Channel 4 – 9pm – Sunday 9th July 2017

Teleplay by: Lynn Renee Maxcy

Series created by: Bruce Miller – Based on the novel by: Margaret Atwood

Directed by: Floria Sigismondi


 

COLLECTING STRAYS

Last week we deviated from June/Offred’s (Elisabeth Moss) tale by flashing back to her new mistress’s life pre-Gilead. In episode 7 of this ten-part Hulu/MGM adaptation, our eponymous handmaid is even more of a bit-part player as the fate of her estranged husband, Luke (O-T Fagbenle), is presented to us.

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Valerian and the City of a Thousand Planets (Cinema Review)

12A – 137mins – 2017 – 3D


 

TEMPORAL SPACE AGENT

Based on Pierre Christin and Jean-Claude Mézières’ pulp comic book series Valérian and Laureline which lasted a monumental 44 years from 1966-2010, it is clear that acclaimed director Luc Besson sees this epic science fiction adaptation as his grandiose Avatar moment. Intricately designed and packed full of more CGI than all three Star Wars prequels combined, sadly this is less a return to his The Fifth Element success and more a John Carter-sized flop.

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