Ouija: Origin of Evil (Blu-ray Review)

15 – 99mins – 2016


 

THE MYSTIFYING ORACLE

“This game was designed to make us scare ourselves.”

My questionable foray into Whaley House aside, my film viewing in the run-up to Halloween largely consisted of rewatching recent blu-rays I have bought (The Boy, Bram Stoker’s Dracula, The Witch) and first time viewings of genre classics I really should have seen sooner (A Nightmare on Elm Street, Child’s Play, Critters). So, on All Hallows’ Eve, I reserved a recent release I had long anticipated… what a fool I was!

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The Darkness (DVD Review)

Image result for the darkness 2016

15 – 99mins – 2017


 

THOSE OF DEATH’S DOMAIN

“Sometimes the answer you are looking for is going to come from some place you’re not looking…”

Unbeknownst to his less-than-happy family, autistic young teen Mikey (David Incarnate Mazouz) brings home five mystic stones from a camping trip to the Grand Canyon; each stone represents a guardian of the ancient Anasazi Indians’ spirit world. No-one raises an eyebrow when Mikey begins talking to an invisible friend (“Jenny did it!”), but when strange noises can be heard, taps begin turning themselves on and a fire is inexplicably started, the Taylor family begin to suspect supernatural forces are invading their home.

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Happy Death Day (Cinema Review)

15 – 100mins – 2017


 

TOMORROW ALWAYS DIES

Openly acknowledging its similarity to a charming early-90s cult classic in a meta closing exchange in which protagonist Tree Gelbman (Jessica Rothe) claims, rather unfathomably, to never have heard of the film nor star Bill Ghostbusters Murray (as if!), Happy Death Day is unabashedly Groundhog Day given a Scream-esque slasher reimagining.

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Viral (Netflix Review)

15 – 85mins – 2016


 

DISASTER PREPAREDNESS

Duped into adding this to my watch list by a poster which strongly resembles the promo art for Guillermo Del Toro’s The Strain TV series, my punctured hopes were somewhat re-inflated when the opening credits revealed that this lo-fi parasitic possession horror was directed by Catfish, Paranormal Activity 3 & 4 and Nerve helming duo Ariel Schulman and Henry Joost.

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Incarnate (Film Review)

15 – 91mins – 2016


 

PARASITIC PURGE

Inception meets The Exorcist in this barmy WWE Studios and Blumhouse co-produced paranormal Aaron Eckhart vehicle, which sees the usually trim and hunky London Has Fallen star grizzled-chopped, lank-haired and wheelchair-bound as Dr. Seth Ember, the sole survivor of a road accident which sets him on a mission to track down “Maggie,” the driver of the car which robbed him of the use of his legs, his wife and young son.

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Hush (Netflix Review)

15 – 81mins – 2016


 

CHOOSE YOUR OWN ADVENTURE

Struggling to decide upon one of seven alternative endings to her sophomore novel, death-mute author Maddie Young (Kate Siegel) enjoys the solitude of her cabin in the woods, with only one neighbouring dwelling she is otherwise completely cut off from the hustle and bustle of city life.

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Get Out (Cinema Review)

15 – 104mins – 2017


 

DECEPTIVE INVITATION

Despite making a name for himself as a comedy actor with a penchant for parody (MadTV, Key & Peele, Keanu), in his directorial debut, Jordan Peele has found instantaneous critical acclaim as a filmmaker in a widely disparate genre: horror. Get Out consummately merges a creepy mystery with stinging and provocative social commentary to create a racially-motivated thriller with a strong nod to The Stepford Wives.

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