Death Note (Netflix Review)

15 – 100mins – 2017


 

LIGHT-MARE SCENARIO

“I have a Death God.”

Following his Hollywood breakthrough with 2011’s superb horror hit You’re Next, young auteur Adam Wingard established himself as a compelling new voice of the grisly genre. His credentials were further strengthened as a proponent of anthology pieces such as V/H/S (although he had no hand in the god-awful threequel, reviewed HERE) and The ABCs of Death, while 2014’s The Guest showed there was more to his talent than merely scarlet sauce, shrieks and scares.

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Valerian and the City of a Thousand Planets (Cinema Review)

12A – 137mins – 2017 – 3D


 

TEMPORAL SPACE AGENT

Based on Pierre Christin and Jean-Claude Mézières’ pulp comic book series Valérian and Laureline which lasted a monumental 44 years from 1966-2010, it is clear that acclaimed director Luc Besson sees this epic science fiction adaptation as his grandiose Avatar moment. Intricately designed and packed full of more CGI than all three Star Wars prequels combined, sadly this is less a return to his The Fifth Element success and more a John Carter-sized flop.

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Wonder Woman (Cinema Review)

12A – 141mins – 2017 – 3D


 

AMAZON PRIME

After being introduced with a supporting role (but no title credit) in last year’s bloated super-smash melee Batman v. Superman: Dawn of Justice (which I reviewed HERE), DC Comic’s immortal warrior princess is granted her own solo mission, incorporating her 5000-year-old origin story into a prequel adventure set during World War I.

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IRON FIST, 1.1 – “Snow Gives Way” (Netflix Review)

Netflix – Season One streaming from 17th March 2017

Based on characters created by: Roy Thomas and Gil Kane

Created and Written by: Scott Buck

Directed by: John Dahl


 

CIRQUE DU PSYCHOPATH

Ant-Man aside, I have invariably been on the ball with watching all of Marvel Studio’s blockbuster comic book adaptations during their cinematic runs. Inversely, the television spin-offs have somehow evaded by attention. I’m not against seeing them, but I don’t consider them essential to the MCU. Plus, once I fell behind on Daredevil, I felt inclined to hold off on Jessica Jones and Luke Cage until I could watch them in production order.

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The LEGO Batman Movie (Cinema Review)

Image result for the lego batman movie

U – 104mins – 2017 – 3D


 

BUILDING UP THE BRAND

Phil Lord and Christopher Miller constructed franchise brick-starting gold in 2014 with the riotously hilarious Lego Movie, ably balancing razor-sharp humour, resonating heart, zippy action and a rainbow colour palette to make one of the funniest and most heat-warming cinema experiences I have had in a long time.

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MARVEL Iron Man: The Gauntlet (Book Review)

Written by: Eoin Colfer

Published in the UK by: Egmont, 27th October 2016

Pages: 273


AN INSTRUMENT OF PEACE

From page to screen and back to page again, award-winning Artemis Fowl author – and Ireland’s laureate for children’s literature – Eoin Colfer brings Marvel’s smart aleck comic book superhero to the North shores of his home country in this slick and snappy YA adventure which substitutes the colourful panel art we normally associate with the Iron Man property for zinging dialogue, explosive descriptions and profuse Irish stereotypes (“top of the morning,” leprechauns, Guinness, Riverdancing, “…, so” and U2 are all brought up – seriously).

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Doctor Strange (Cinema Review)

Image result for doctor strange 2016

12A – 115mins – 2016 – 3D


 

THE DOORS OF PERCEPTION

“Leave behind everything you thought you knew…”

A career-ending car accident sees astonishing-but-arrogant New York neurosurgeon Stephen Strange (Benedict Black Mass Cumberbatch) traverse the globe in search of revolutionary and non-traditional healing techniques to cure his damaged hands. In Kathmandu, Nepal he is introduced to The Ancient One (Tilda Trainwreck Swinton), a master of the mystic arts who harnesses the desperate doctor’s spiritual powers to unleash his full potential.

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