THE HANDMAID’S TALE, 1.4 – “Nolite Te Bastardes Carborundorum” (TV Review)

Channel 4 – 9pm – Sunday 18th June 2017

Written by: Leila Gerstein

Series created by: Bruce Miller – Based on the novel by: Margaret Atwood

Directed by: Mike Barker


 

THE SOUND OF GLASS

“How did you survive her?”

Isolated to her room for 13 days after bursting Selena Joy’s (Yvonne Strahovski) pregnancy bubble by getting her “monthly woe” in “Late” (reviewed HERE) last week, a cabin fevered Offred (Elisabeth Moss) takes to laying in her cupboard, wherein she discovers the Latin phrase which this fourth episode is named after, scratched into the wall. Believing it to be written by her predecessor in the Waterford house, Offred is determined to find a translation to the antiquated message and decipher the meaning.

… Keep Scuttling!

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THE HANDMAID’S TALE, 1.1 – “Offred” (TV Review)

Channel 4 – 9pm – Sunday 28th May 2017

Teleplay by: Bruce Miller

Based on the novel by: Margaret Atwood

Directed by: Reed Morano


 

BREEDING STOCK

As intrigued as I was by its release (and Channel 4’s acquisition for UK transmission), I am a week behind on Hulu/MGM’s new ten-part adaptation of Margaret Atwood’s speculative dystopian novel because I wanted to view the 1990 film version first. While not out-and-out disappointed by the Natasha Richardson-starring production (which you can read my review of HERE), my enjoyment was tempered by the outdated feel which crippled the suspension of my disbelief and meant I never felt truly engaged enough to appreciate the abject horror of the notion. A reader on my blog commented that I should still give the new series a try, as it improved upon the earlier attempt.

… Keep Scuttling!

The Handmaid’s Tale (DVD Review)

15 – 90mins – 1990


 

FUNDAMENTALIST FUTURE

27 years before Hulu remade it into a highly-acclaimed and much-discussed, must-see television series, Margaret Atwood’s eye-opening 1985 dystopian novel was adapted to film, courtesy of a Harold Pinter screenplay. Critically commended though it was, an eleventh hour change of director led to rewrites Pinter was “too tired” to work on, so he suggested incoming helmer Volker Schlöndorff return to the author for any “tinkering,” leading the Nobel-Prize winning playwright to all-but disown credit for such a “hodgepodge.”

… Keep Scuttling!