Wonder Woman (Cinema Review)

12A – 141mins – 2017 – 3D


 

AMAZON PRIME

After being introduced with a supporting role (but no title credit) in last year’s bloated super-smash melee Batman v. Superman: Dawn of Justice (which I reviewed HERE), DC Comic’s immortal warrior princess is granted her own solo mission, incorporating her 5000-year-old origin story into a prequel adventure set during World War I.

… Keep Scuttling!

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The Omen (DVD Review)

Image result for the omen 2006

15 – 105mins – 2006


 

DÉJÀ BOO

“Did I scare you, Mummy?”

The marketing department at 20th Century Fox must have been roundly patting themselves on the back when they saw the golden opportunity to release this remake of the seminal 70s supernatural horror on 6/6/06. It was perhaps overkill for them to take this nod to the biblical Number of the Beast one step further and start the first screenings at 6:06:06, but sometimes you’ve got to run with an idea when it presents itself.

… Keep Scuttling!

Regression (DVD Review)

15 – 101mins – 2015


IN SATAN’S NAME

Troubled and teary, Hogwarts alumni Emma Watson swaps fantasy and wands for terrifying real world worries as 17 year old abuse victim Angela Gray in this dour and humourless psychological drama. Inspired by disturbing actual events, this thriller was written, directed and produced by famed Spanish auteur Alejandro Amenábar, best known for spirited Nicole Kidman chiller The Others (2001).

Mired in darkness, noir-ish shadows and persistent rainfall throughout, Detective Bruce Kenner (a weary and agitated Ethan Hawke) leads a small town police investigation into the repressed memories of satanic cult members accused of horrific crimes in a God-fearing 1990 Minnesota, thanks to the revolutionary – but questionable – techniques of renowned psychologist Dr. Raines (a reliably level-headed David Thewlis).

With shades of spookiness courtesy of some nightmarish and disorientating dream sequences, Regression is competently plotted and makes for occasionally uneasy viewing (if hardly revolutionary given such comparable recent fare as Backtrack and Dark Places). Sadly, Amenábar’s grim tone and washed out palette are let down tremendously by a real damp squib of an “is that it?!” ending which fails to deliver a satisfying sting to this (forked) tale.

CR@B Verdict: 2 stars