A Quiet Passion (DVD Review)

12 – 120mins – 2017


 

THE LITERATURE OF MISERY

“Sometimes, Emily, you are as ugly as your poetry!”

Written and directed by Sunset Song‘s Terence Davies, A Quiet Passion is both a boldly compelling yet persistently frustrating portrait of a literary great: prolific 19th century American poet Emily Dickinson, whose unusual existence is chartered from youth to death by two actors: Emma Bell for the opening twenty minutes takes on Emily’s post-school days, morphing into Cynthia Nixon for the concluding hour and forty minutes

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In Bruges (Netflix Review)

18 – 106mins – 2008


 

NOOKS AND CRANNIES

“How can a fucking fairy-tale NOT be someone’s cup of tea?!”

Rejoice, CR@B fans, for I am back! Did you miss me?

What do you mean you didn’t even know I had gone?! Well, as my none-too-subtle choice of film illuminates, I have just got back from a glorious mini-break in the medieval, alcove-ridden Belgium market town of Bruges (or Brugge to the locals). Of course I ate my body weight at the numerous chocolatiers and drank the local brewery dry, but I also climbed the 300+ steps to the apex of the clock tower, which features prominently in writer/director Martin McDonagh’s blackly-comic BAFTA-winning crime drama, which recently made its Netflix debut (what timing!).

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Solstice (DVD Review)

15 – 87mins – 2008


 

BURYING THE BAD ENERGY

One of only a handful of films from acclaimed The Blair Witch Project co-director Daniel Myrick since his triumphant breakout hit 18 years ago, Solstice is an unremarkable and cliché-ridden genre effort which limped out straight to DVD in time for Halloween 2008, in spite of the star power of Amanda Seyfried – who had recently hit it big in musical megahit Mamma Mia – in a supporting role.

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Murder on the Orient Express (Cinema Review)

12A – 114mins – 2017


 

NO BEACH-SIDE HOLIDAY

Kenneth Romeo & Juliet LIVE Branagh has dual duties as both headliner and director of this fourth adaptation of Agatha Christie’s classic 1934 mystery novel, featuring “probably the greatest detective in the world” (self-professed), Hercule Poirot, the Dickens-loving gentleman with the distractingly-iconic moustache which successfully upstages a train-full of Hollywood A-listers.

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STAR TREK: DISCOVERY, 1.5 – “Choose Your Pain” (Netflix Review)

Streaming on UK Netflix from: Monday 16th October 2017

Story by: Gretchen J. Berg, Aaron Harberts and Kemp Powers

Teleplay by: Kemp Powers

Directed by: Lee Rose


 

SURVIVAL MODE

“Glory must be earned from sacrifices… and PAIN!”

While the sets and lighting are as opulent and dazzling as ever this week, the showrunners behind Star Trek: Discovery are instead taking a different tack in their efforts to make this new prequel series darker and more mature by inserting scenes of brutal violence and random instances of foul language into what has fundamentally always been a family-friendly show set in an optimistic future striving for a universal utopia.

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RED DWARF XII.2 – “Siliconia” (TV Review)

Image result for red dwarf xii siliconia

Dave – 9pm – Thursday 19th October

Available to stream on UKTV Play from: 12th October

Created by: Rob Grant and Doug Naylor

Written and Directed by: Doug Naylor


 

A KREWFUL OF KRYTENS

“Our squeegees are loaded!”

In the run-up to series XII’s transmission, the fanbase were divided between excitement and apprehension at the prospect of this ‘gimmick’ episode, long-teased by Doug and the cast as “the one where everyone’s Kryten.” Would the script provide a plausible-enough in-universe reason for rubbering-up Lister (Craig Charles), Rimmer (Chris Barrie) and Cat (Danny John-Jules)? Would the audience be able to see beyond the uncanny look of the three usually fleshy smegheads? Would it be funny without being farcical?

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STAR TREK: DISCOVERY, 1.4 – “The Butcher’s Knife Cares Not for the Lamb’s Cry” (Netflix Review)

Streaming on UK Netflix from: Monday 8th October 2017

Series created by: Bryan Fuller and Alex Kurtzman

Written by: Jesse Alexander and Aron Eli Coleite

Directed by: Olatunde Osunsanmi


 

UNIQUELY INTERESTING

“Let’s send our Klingon friends a message they won’t forget.”

Settling into its new post-‘second pilot’ direction, episode 1.4 of Star Trek: Discovery gave me the distinct impression that it was panicked about how grand, impressive and memorable it was, and frequently felt the need to throw everything at the audience in a shallow attempt to impress. While it’s by no means a complete shipwreck, “The Butcher’s Knife…” is both the busiest and my least favourite of the new series thus far.

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