STAR TREK: DISCOVERY, 1.5 – “Choose Your Pain” (Netflix Review)

Streaming on UK Netflix from: Monday 16th October 2017

Story by: Gretchen J. Berg, Aaron Harberts and Kemp Powers

Teleplay by: Kemp Powers

Directed by: Lee Rose


 

SURVIVAL MODE

“Glory must be earned from sacrifices… and PAIN!”

While the sets and lighting are as opulent and dazzling as ever this week, the showrunners behind Star Trek: Discovery are instead taking a different tack in their efforts to make this new prequel series darker and more mature by inserting scenes of brutal violence and random instances of foul language into what has fundamentally always been a family-friendly show set in an optimistic future striving for a universal utopia.

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RED DWARF XII.2 – “Siliconia” (TV Review)

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Dave – 9pm – Thursday 19th October

Available to stream on UKTV Play from: 12th October

Created by: Rob Grant and Doug Naylor

Written and Directed by: Doug Naylor


 

A KREWFUL OF KRYTENS

“Our squeegees are loaded!”

In the run-up to series XII’s transmission, the fanbase were divided between excitement and apprehension at the prospect of this ‘gimmick’ episode, long-teased by Doug and the cast as “the one where everyone’s Kryten.” Would the script provide a plausible-enough in-universe reason for rubbering-up Lister (Craig Charles), Rimmer (Chris Barrie) and Cat (Danny John-Jules)? Would the audience be able to see beyond the uncanny look of the three usually fleshy smegheads? Would it be funny without being farcical?

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STAR TREK: DISCOVERY, 1.4 – “The Butcher’s Knife Cares Not for the Lamb’s Cry” (Netflix Review)

Streaming on UK Netflix from: Monday 8th October 2017

Series created by: Bryan Fuller and Alex Kurtzman

Written by: Jesse Alexander and Aron Eli Coleite

Directed by: Olatunde Osunsanmi


 

UNIQUELY INTERESTING

“Let’s send our Klingon friends a message they won’t forget.”

Settling into its new post-‘second pilot’ direction, episode 1.4 of Star Trek: Discovery gave me the distinct impression that it was panicked about how grand, impressive and memorable it was, and frequently felt the need to throw everything at the audience in a shallow attempt to impress. While it’s by no means a complete shipwreck, “The Butcher’s Knife…” is both the busiest and my least favourite of the new series thus far.

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STAR TREK: DISCOVERY, 1.2 – “Battle at the Binary Stars” (Netflix Review)

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Streaming on UK Netflix from: Monday 25th September 2017

Story by: Bryan Fuller

Teleplay by: Gretchen J. Berg and Aaron Harberts

Directed by: Adam Kane


 

A HERO’S DEMISE

Following immediately on from the cliffhanger which left jaws agape at the close of “The Vulcan Hello” (reviewed HERE), Star Trek: Discovery episode 1.2 feels more like the second half of a two-part story than an isolated instalment in its own right. It is now clear why CBS and Netflix aired/released both episodes at the same time, because this is essentially the conclusion of the new show’s prologue; the televisual equivalent of a comic issue zero.

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STAR TREK: DISCOVERY, 1.1 – “The Vulcan Hello” (Netflix Review)

Streaming on UK Netflix from: Monday 25th September 2017

Story by: Bryan Fuller and Alex Kurtzman

Teleplay by: Akiva Goldsman and Bryan Fuller

Directed by: David Semel


 

LIGHT THE BEACON

“They are coming.”

After a century of only fleeting interaction between the Starfleet of Earth and the warriors of the Klingon Empire, a war is on the horizon as the Klingons pursue a “crusade of self-preservation” against those who purport to “come in peace.” Captain Philippa Georgiou’s (Michelle Mechanic: Resurrection Yeoh) USS Shenzhou is the Federation starship which first encounters the oncoming storm…

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It (Cinema Review)

15 – 135mins – 2017


 

IT FOLLOWS

Tweaking the timeline of Stephen King’s thousand-word tome slightly, the filmmakers behind this box office-record breaking horror hit have, very shrewdly, hit upon a meta jackpot. While Derry is still the US town plagued by the eponymous clown-faced being, the decade has been shifted to the late 1980s and the frequency of its child-napping attacks reduced from 30 to every 27 years. Not only does this mean that the newly-greenlit sequel will take place in the modern day, its also a nice little nod to the fact that It first haunted audiences 27 years ago in ABC’s 1990 mini-series (reviewed HERE).

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Patti Cake$ (Cinema Review)

15 – 109mins – 2017


 

OVERW-8 MILE

Adopting a string of sick ‘n’ tight pseudonyms, plus-size twenty-something Patricia Dombrowski (Danielle Macdonald) dreams of leaving behind her debt-ridden, sad-sack New Jersey existence and making it big as a rap superstar. Can “Killa-P,” her best friend Jheri (Siddharth Dhananjay) and mysterious musical anarchist “Basterd” (Mamoudou Athie) stick it to the haterz, impress idol O-Z (Sahr Ngaujah) and make it big?

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