PG – 129mins – 2017 – 3D
A READY-FURNISHED CLASSIC
Disney continue their recent trend of mining past animated hits for future live action gold (as I write it is currently the highest grossing film of 2017) with this fifth conversion – following Alice in Wonderland, Maleficent, Cinderella and The Jungle Book (which I reviewed HERE) – of one of their greatest ‘toons as old as time into 3 living, breathing, singing and dancing dimensions.
… Keep Scuttling!
15 – 123mins – 2016
Twelve years, many a failed relationship and a considerable number of shedded pounds after her last big screen foray and everyone’s favourite everygirl singleton is back – and everything is v. much as it was after Bridget Jones: The Edge of Reason, even if her friends are all now settled down with young families and her famous diary is now being typed on an iPad.
… Keep Scuttling!
15 – 96mins – 2015
“It’s going to be a long, hard road, but slowly… I hope to gain everyone’s respect.”
Amiable Bradley Cooper dominates an impressive – but largely underused – supporting cast in this foodie drama about a 2 Michelin-starred chef who returns to the London restaurant scene after a wild sojourn in Paris which nearly ruined him as well as his career.
As “ogre in the kitchen” Adam Jones, Cooper occupies the well-worn cliché of the troubled genius (think Steve Jobs’ less than shining personality) who has made a lot of enemies and struggles to move on from the mistakes which haunt his every service – no matter how many oysters he has shucked in penance.
“I fucked it up a long time ago.”
From the very beginning I admired Adam’s determined search for perfection (“We need to be dealing in culinary orgasms.”), even if his darker edges made him less easy to associate with. However, in keeping his murky drug past at arms length, Steven Knight’s screenplay fails to endow Adam’s struggle with adequate ballast, leaving a lot of his moping and incendiary tantrums to come across as merely overly-sentimental.
That being said, his meltdown following a spicy sabotage did hit hard, and I do think that Burnt eventually succeeds in winning the audience over due to Bradley Cooper’s vulnerable portrayal of an honest and redemptive man.
Finally, as shameful as it was to waste A-listers Uma Thurman and Emma Thompson in minor roles (the former is little more than a cameo), it was a pleasant surprise to see Alicia Ex_Machina Vikander give a brief but tender performance as an unwelcome but well-meaning blast from Adam’s past.