THE HANDMAID’S TALE, 1.5 – “Faithful” (TV Review)

Channel 4 – 9pm – Sunday 25th June 2017

Teleplay by: Dorothy Fortenberry

Series created by: Bruce Miller – Based on the novel by: Margaret Atwood

Directed by: Mike Barker


 

FISH HOOK, OPEN EYE

“Every love story is a tragedy, if you wait long enough.”

Now 34 games of Scrabble into her clandestine encounters with her potentially-sterile Commander (Joseph Fiennes), handmaid Offred (Elisabeth Moss) is gifted an old-times fashion magazine. Long thought destroyed, the nostalgic memento awakens in her memories of her first encounters with her husband, Luke (O-T Fagbenle), at a street-side hot dog stand while best friend Moira (Samira Wiley) interrogates Luke about Offred/Kate’s Tinder profile.

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THE HANDMAID’S TALE, 1.4 – “Nolite Te Bastardes Carborundorum” (TV Review)

Channel 4 – 9pm – Sunday 18th June 2017

Written by: Leila Gerstein

Series created by: Bruce Miller – Based on the novel by: Margaret Atwood

Directed by: Mike Barker


 

THE SOUND OF GLASS

“How did you survive her?”

Isolated to her room for 13 days after bursting Selena Joy’s (Yvonne Strahovski) pregnancy bubble by getting her “monthly woe” in “Late” (reviewed HERE) last week, a cabin fevered Offred (Elisabeth Moss) takes to laying in her cupboard, wherein she discovers the Latin phrase which this fourth episode is named after, scratched into the wall. Believing it to be written by her predecessor in the Waterford house, Offred is determined to find a translation to the antiquated message and decipher the meaning.

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THE HANDMAID’S TALE, 1.3 – “Late” (TV Review)

Channel 4 – 9pm – Sunday 11th June 2017

Teleplay by: Bruce Miller – Based on the novel by: Margaret Atwood

Directed by: Reed Morano


 

DELICATE TERRITORY

“Shall I just go in the kitchen and cut my dick off?”

Offred’s (Elisabeth Moss) flashbacks offer us a terrifying glimpse into the incremental fall of (wo)man in this third episode of MGM/Hulu’s ten-part series, with overnight laws in the name of “national security” diminishing the rights – and status – of woman to the point where they cannot own property, money or a job – and it’s now commonplace for them to be verbally assaulted by store clerks without fear of admonishment.

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THE HANDMAID’S TALE, 1.2 – “Birth Day” (TV Review)

 

Channel 4 – 9pm – Sunday 4th June 2017

Created by and teleplay by: Bruce Miller

Based on the novel by: Margaret Atwood

Directed by: Reed Morano


 

THERE IS AN US

At the close of last week’s series debut (reviewed HERE), reluctant concubine Offred (Elisabeth Moss) was warned that a despotic Gilead spy (known as an “Eye”) is watching her, even while she goes about her demeaning slave-like duties as a sex-surrogate for wealthy Commander Waterford (Joseph Fiennes) and his stuck-up wife, Serena Joy (Yvonne Strahovski). In “Birth Day”, Offred feels herself stuck ‘tween two extremes and pulled both ways: should she go against the strict new conventions and meet with her new master alone, or use her unique position to betray his trust and provide intel to a network of rebellious Handmaids, led by “carpet-munching gender traitor” Ofglen (Alexis Bledel)?

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The Handmaid’s Tale (DVD Review)

15 – 90mins – 1990


 

FUNDAMENTALIST FUTURE

27 years before Hulu remade it into a highly-acclaimed and much-discussed, must-see television series, Margaret Atwood’s eye-opening 1985 dystopian novel was adapted to film, courtesy of a Harold Pinter screenplay. Critically commended though it was, an eleventh hour change of director led to rewrites Pinter was “too tired” to work on, so he suggested incoming helmer Volker Schlöndorff return to the author for any “tinkering,” leading the Nobel-Prize winning playwright to all-but disown credit for such a “hodgepodge.”

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