The Mummy (Cinema Review)

15 – 110mins – 2017 – 3D


 

ANTIQUITY’S DARKEST SECRET

After Marvel and DC looted the shared universe tomb and ran away with the box office treasure, original pioneers Universal have resurrected their classic Monster movies from the 1930s in a rebooted series known collectively as the Dark Universe, of which bandage-wrapped walking corpse The Mummy – in its third studio incarnation and gallizionth on-screen appearance – is the introductory instalment.

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Elvis & Nixon (DVD Review)

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15 – 82mins – 2016


 

KING AND COUNTRY

“Who the fuck set this up?!”

Elaborating on the undocumented encounter between two eponymous titans of their respective fields previously only immortalised by a single piece of photographic evidence, this abruptly stunted historical comedy-drama from director Liza Jordan breezily chronicles superstar Elvis Presley’s (Michael Nocturnal Animals Shannon) lackadaisical-yet-earnest attempts to have a private meeting with the most powerful man in the United States on December 21st 1970.

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Release the Bats with JOHN CARPENTER (Live Review)

img_1985Troxy, London – 31st October 2016 – Doors: 6:30pm

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LOST THEMES FOUND ON STAGE

In the wake of original tour promoters ATP folding, the pre-show ticketing fiasco and the shit-storm which followed the apparent overselling (and under-conscious organisation of) the “upgraded” Manchester date two nights earlier, it would be fair to say there was a fair bit of concern and apprehension amongst the flock of John Carpenter fans snaking around the Tower Hamlets venue on Monday night. Even the stewards seems somewhat confused by exactly who required a re-printed ticket from the box office! Thankfully, everyone was only too happy to help.

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Miles Ahead (DVD Review)

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15 – 96mins – 2016


THE JUNKIE AND THE FLUNKIE

“Man, what a waste! He’s probably more profitable to us dead than alive now.”

Set in Manhattan in the late 1970s during the King of Cool’s wilderness years, Don Cheadle – the man many in this Marvel-dominated cine-scape will know predominantly as “War Machine” – excels himself as co-screenwriter, director and lead actor in this surprisingly unsycophantic passion project which drops the iconic and isolated “social music” pioneer into an impromptu  gangster flick of sorts.

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