MUSIC, MERMAIDS AND MELANCHOLIA
Thanks to my new working relationship with the guys and gal over at podcast/website 60 Minutes With, I was hugely excited to accept an invitation to the Screening Rooms in London’s Soho at the tail-end of October to see an exclusive critics-only preview screening of this fantastical musical Japanese Anime feature. With its limited UK cinema release beginning yesterday, the embargo has been lifted and I can now post a link to my review of Masaaki Yuasa’s Lu Over the Wall.
Click HERE for a direct link to my musings.
HERE is the film’s official English-language website, with listings of all UK cinemas who are screening it.
15 – 100mins – 2017
“I have a Death God.”
Following his Hollywood breakthrough with 2011’s superb horror hit You’re Next, young auteur Adam Wingard established himself as a compelling new voice of the grisly genre. His credentials were further strengthened as a proponent of anthology pieces such as V/H/S (although he had no hand in the god-awful threequel, reviewed HERE) and The ABCs of Death, while 2014’s The Guest showed there was more to his talent than merely scarlet sauce, shrieks and scares.
U – 103mins – 2014
FINE ON THE OUTSIDE
Transposing the setting of Joan G. Robinson’s 1967 children’s book from North Norfolk to Sapporo, Japan, Arrietty director Hiromasa Yonebayashi’s second feature film is otherwise respectfully dutiful to its classic source material – a book which Studio Ghibli founder Hayau Miyazaki proclaimed one of his top fifty children’s stories of all time.
… Keep Scuttling!
18 – 95mins – 1997
Two years after his theatrical debut with the ultra-icky shock-fest Shinjuku Triad Society, Takashi Miike returned to his thematically-connected Black Society Trilogy with this precipitation-lashed middle segment, shot entirely in a washed-out Taiwan and with star Tomorowo Taguchi returning, albeit in a new and unrelated antagonist role.
… Keep Scuttling!