Paddington 2 (Cinema Review)

See the source image

PG – 103mins – 2017


 

PADDINGTON DOES PORRIDGE

With so many childhood favourites from yesteryear being made (and remade in the case of The BFG and Pete’s Dragon) for the big screen, it is easy to look on these twenty-first century interpretations with caution. Be they originally books, films or TV shows, to fans of the beloved originals, a glitzy, modern angle could be deemed… improper. However, 2014’s Paddington – which saw Michael Bond’s marmalade-loving bear cub move from the jungles of Peru into the Brown family’s London residence – proved that new doesn’t always equal inferior.

Continue reading

Advertisements

Bridget Jones’s Baby (Cinema Review)

Image result for bridget jones's baby

15 – 123mins – 2016


 

RENÉE-ATRIC MOTHER

Twelve years, many a failed relationship and a considerable number of shedded pounds after her last big screen foray and everyone’s favourite everygirl singleton is back – and everything is v. much as it was after Bridget Jones: The Edge of Reason, even if her friends are all now settled down with young families and her famous diary is now being typed on an iPad.

… Keep Scuttling!

The Legend of Tarzan (Cinema Review)

12A – 108mins – 2016 – 3D


 

THE SPIRIT OF THE TREES

Before his imminent return to the wizarding world with November’s Fantastic Beasts & Where to Find Them, director David Yates looks to older literary inspiration in bringing Edgar Rice Burroughs’ Victorian ape-man back to the big screen for his umpteenth reimagining.

What makes The Legend of Tarzan unique, however, is that rather than again retelling John Clayton III’s (Alexander Skarsgård) oft-told origin story, we instead join up with Lord Greystroke eight years after he has returned to England with his wife, Jane (Margot Robbie), with crucial flashbacks to his formative years in the jungle integrated into this sort-of sequel.

Christoph Waltz, who I must confess I have never warmed to as an actor, returns to his moustache-twirling devious antagonist comfort zone as Captain Léon Rom, the corrupt envoy for Belgium’s debt-ridden King Leopold II. Rom devises a sinister scheme to lure the renowned Tarzan back to Boma in the Congo jungle, capture him and delivery him to an old enemy for a bounty of diamonds to save his dire government from bankruptcy.

Waltz’s Hateful Eight co-star Samuel L. Jackson plays second fiddle to the titular shirt-shy star as sharp-shooting American envoy George Washington Williams, who accompanies Tarzan and Jane on their overseas expedition, and aids in the rescue of Jane when Rom sees the sinister opportunity to lure his prey out of hiding with some wife-shaped bait.

Sumptuously imagined in a similar CG-heavy approach to Disney’s recent The Jungle Book reboot, this vine-swinging wild ride seems to have been somewhat lost in the wilderness of blockbuster season, receiving a trough of middling reviews where John Favreau’s uncanny Mowgli remake was lauded for its technical wizardry. Sure, the occasional shot is noticeably green screened, but there is far more to make you go “ooo!” than “ergh!” here.

The pacing isn’t perfect, with the grand riverboat finale reached prematurely, despite the action bobbing along nicely up to that point, but the film’s only major misstep is in expecting us to invest in little-seen African tribal leader Chief Mbonga’s (Djimon Air Hounsou) passion for revenge against the film’s hero – despite Tarzan’s earlier murder of his son only being briefly alluded to and never visualised.

Otherwise, I see no reason to lambast screenwriters Adam Cozard and Craig Brewer for their vision, which is as bestial, exotic and adventurous as a Tarzan story can be. Sadly, I fear this Legend going the same way as Disney’s doomed adaptation of Edgar Rice Burroughs’ other shaggy-haired literary property, John Carter, which flopped for no discernible reason in 2012.

CR@B’s Claw Score: 3 stars