18 – 105mins – 2018
COMING TO A HEAD
Now married to the love of his luxurious-if-troubled life, can billionaire spank-lover Christian Grey (Jamie Shadows in the Sun Dornan) and his innocent and grounded new wife, Anastacia (Dakota How to be SingleJohnson), live happily ever after, or will shady figures from Christian’s murky upbringing come back to haunt Mr and Mrs Grey’s honeymoon period?
18 – 118mins – 2017
It slaps (ahem) of irony that the author of the world’s biggest-selling trilogy of BDSM-flavoured ‘mummy porn’ was so dominant in protecting her property that both the writer and the director of 2015’s record-breaking first big screen adaptation tore up their contracts and walked away from the filthy franchise, calling for new submissives to be brought into the notorious Red Room ahead of this middle instalment.
15 – 79mins – 2015
“I don’t [have an anger problem], I have an asshole problem.”
If I were to be bitchy, I would say that writer/director Paul Weitz’s best work (generation-defining American Pie and Oscar-winning About A Boy) was over a decade ago. However, with last year’s Grandma he has quietly crafted an engaging, character rich dramedy – it’s just a shame it was so hushed it seems to have fallen rather under the radar.
“I find as I get older, old shit bubbles up.”
Small in scale, shallow in budget and short in runtime, Weitz’s family-focused script is nonetheless big on multifarious personalities, with Lily Tomlin rightfully receiving a Golden Globe nomination for playing the titular Elle Reid, a blunt-talking, sharp-minded lesbian poet who must help her desperate granddaughter, Sage (Julia Garner), find the cash to fund the termination of an unwanted pregnancy – on the same day Elle has broken up with her younger girlfriend (Judy Greer).
“Where can you get a reasonably priced abortion these days?”
As Elle and Sage drive about town (in Tomlin’s own vintage Dodge Royal!) in a desperate bid to raise $630 by calling in favours from old friends (Laverne Cox, Elizabeth Peña) and even older flames (an emotionally embittered Sam Elliott), temperaments, life choices and soul-crushing secrets are dredged up and analysed under the demographically diverse microscope. You don’t necessarily agree with these troubled characters (at certain times you don’t even like the sparring misanthropes), but you do admire their drive and resilience, warm to their quirks and will on their peace of mind.