15 – 117mins – 2015
THREE BYTES OF THE APPLE
“No-one sees the world the same way you do.”
Following his 2011 death from pancreatic cancer, Apple CEO and business icon Steve Jobs has already had his life put under the microscope in 2013’s middling Jobs, with Ashton Kutcher playing the divisive genius. Just three years later and Michael Fassbender is putting his toilet-rinsed feet into the quirky genius’s shoes in this adaptation of Walter Isaacson’s biography, directed by Slumdog Millionaire’s Danny Boyle and scripted by The West Wing supremo Aaron Sorkin.
Set backstage in the minutes before the launch of pivotal, potentially world-affecting products (Microsoft in 1984, the NeXT Black Cube in 1988 and the iMac 3 in 1998), Sorkin’s structure bravely chronicles Jobs’ incredible decades-spanning career in just three acts (interspersed with graphic-heavy infomercial-esque montages), while his verbose script pulls no punches in presenting an intimate portrayal of a man who put his striving for success above everything – and everyone.
“I don’t want people to dislike me; I’m indifferent to whether they dislike me.”
There’s no disputing Sorkin succeeds in crafting an inspiring and dramatic character study (even if questions have since been raised about the accuracy of his portrayal of Jobs’ insufferable personality), however despite a ramping up of the human drama in act three, my attention was waning due to the repetitive nature of all the seemingly life-long dramas somehow still raging.
“It’s like five minutes before every launch, people go to the bar, get drunk, then tell me what they REALLY think.”
By this final scene we are fourteen years on from the beginning of the film, yet the same jokes are still being told (“Andy? Which one?!”), the same magazine articles are still being referenced and the same faces still keep popping up with the same bitter gripes. Even Steve comments that the mother of his child has “had the same sinus infection since 1988!”
The phrase “reality distortion” is used in the film. Rather aptly, that’s exactly what Steve Jobs feels like – everything feels so convenient, so stagey and so precisely scripted. Its attention to callbacks is commendable, but it doesn’t feel at all realistic or progressive, and it begins to feel overtly reliant on nifty, back-slapping script conventions.
Despite being guilty of over-egging the man’s futile exasperation at living in Steve’s shadow, Seth Rogen (The Night Before) nonetheless delivers quite possibly his most emotionally-diverse performance to date as Apple co-founder and Apple II creator Steve “Woz” Wozniak, while Kate Winslet is next-to-unrecognisable as marketing exec and Jobs’ confidant, Joanna Hoffman.
As Steve steps out on stage to launch the iMac 3 in the films’ final moments, Boyle basks his leading man in a rousing, emphatic and messiah-like slow-mo eruption of applause and adoration, coercing the viewer to congratulate a man we have spent two hours being shown to be a flawed father, friend and business partner. Its at odds with what preceded it, sending out a muddy final message. He might well be a brilliant and accomplished genius, but “things don’t become so just because [Steve Jobs] say[s] so.”