La La Land (Cinema Review)

12A – 128mins – 2017


 

TAPPED OUT

Expectation can be a cruel bastard. My girlfriend and I – both fans of musicals having recently seen both Thriller Live on tour and Matilda in the West End – had been greatly anticipating the opportunity to finally see the box office behemoth and awards-contender that is La La Land. Everyone has already seen it, and it seems, loved it. Alas, my car broke down on the way to the cinema some weeks ago, meaning our thirst had to wait to be sated until last weekend.

… Keep Scuttling!

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Joy (DVD Review)

12 – 124mins – 2016 


 

THROUGH THE WRINGER

“You can’t let the practical get you down…”

Silver Linings Playbook director David O. Russell reunites his hot-right-now headliners Jennifer Hunger Games Lawrence and Bradley Burnt Cooper for the third time in this enlightening biographical drama about a struggling single mother who overcomes the obstacles of her humdrum domestic existence to become a self-made millionaire in command of her own business empire.

I baulked at the horrendously slap-dash DVD cover when I first saw it on Amazon. For an Academy Award nominated film – for which J-Law won a Golden Globe for Best Actress – of this calibre to receive such a sloppy, lacklustre third-rate effort (it honestly looks like it was flung together in MS Paint in five minutes) scrambled my mind. However, such a cheap, no-nonsense aesthetic does in fact – whether coincidentally or not – perfectly reflect the humble homemade beginnings of Joy Mangano’s (Lawrence) Miracle Mop invention.

“I don’t want to end up like my family.”

But as inspirational as Joy’s determination to succeed in the face of constant upheaval, rejection and negativity is, Joy tries almost too hard to glamorise this very everyday industry success story. This is the “true story of a daring woman,” but Russell and fellow story-writer Annie Mumolo consistently inject Hollywood conventions into the narrative to spruce things up. So we have narration from Joy’s deceased grandmother (Diane Ladd), a non-linear plot structure (“Time moves forward, time moves backwards, time stands still”) and surreal soap-opera induced nightmare sequences.

While the road to commerce Queen is rocky, including back-stabbing, a personal meltdown and bankruptcy (“The world destroys your opportunity and breaks your heart”), the end result is a happy one. However the film delays its happily ever after until a brief epilogue reveal, instead choosing to focus on the negative, with the downtrodden mop-maker forced to reinvent herself like a phoenix from the flames following her lowest ebb.

“When you’re hiding you’re safe, because people can’t see you… But you’re also hiding from yourself.”

In outgrowing commerce giant QVC, Ms Mangano’s journey is certainly a motivational kick-up-the-arse for all those moaning layabouts who blame the world for their woes while sponging off of it. And yet, I still can’t completely scrub away the niggling smudge of doubt in my mind that maybe such a humble story isn’t powerful or dramatic enough to justify such sparkling, A-list treatment? It sounds harsh, I grant you, but then as Joy teaches us: so is business.

CR@B Verdict: 3 stars