Flesh and Blood (Book Review)

Written and illustrated by: Chris Priestley

Published in the UK by: Barrington Stoke, 15th April 2017

121 pages


 

BEHIND THE MASK

The first of three new releases from the macabre mind of Anything That Isn’t This author and illustrator Chris Priestley to fill children and young adults with equal measures of fear and wonder in 2017, this dyslexic-friendly “easy reader” from publishers Barrington Stoke may be the shortest and most simplistic, but Flesh and Blood does not suffer for its ease of accessibility.

… Keep Scuttling!

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IRON FIST, 1.1 – “Snow Gives Way” (Netflix Review)

Netflix – Season One streaming from 17th March 2017

Based on characters created by: Roy Thomas and Gil Kane

Created and Written by: Scott Buck

Directed by: John Dahl


 

CIRQUE DU PSYCHOPATH

Ant-Man aside, I have invariably been on the ball with watching all of Marvel Studio’s blockbuster comic book adaptations during their cinematic runs. Inversely, the television spin-offs have somehow evaded by attention. I’m not against seeing them, but I don’t consider them essential to the MCU. Plus, once I fell behind on Daredevil, I felt inclined to hold off on Jessica Jones and Luke Cage until I could watch them in production order.

… Keep Scuttling!

Pete’s Dragon (Cinema Review)

Image result for pete's dragon 2016

PG – 103mins – 2016 – 3D


 

TALL TALES OF TALL TAILS

I always thought I enjoyed Disney’s original 1977 version of Pete’s Dragon. But despite featuring a Who Framed Roger Rabbit?-preceding cartoon title character (courtesy of Don The Land Before Time Bluth), the Mickey Rooney-starring live action musical showcased some frankly cringeworthy song and dance numbers, cheesy overacting and “brazzle dazzle brilliance” aplenty… Trying to watch it again as an adult was an onerous task, and one I did not complete.

… Keep Scuttling!

The BFG (Cinema Review)

PG – 117mins – 2016 – 3D


 

A WHOOPSY-SPLUNKING ADVENTURE

“Human beans is not really believing in giants, is they? Human beans is not thinking we exist.”

A Steven Spielberg blockbuster is usually a safe bet – doubly so when he is re-teamed with ET scribe Melissa Mathison; triply so when working from the source material of the world’s number one storyteller. But my reservations before sitting down to this centenary-marking Roald Dahl adaptation last night came from growing up with repeated rewatches of Brian Cosgrove’s BAFTA-winning 1989 animated interpretation. Voiced by David Jason, it nailed the look and sound of the benevolent twenty-five foot high dreamcatcher in a way I feared a motion-captured Mark Rylance possibly could not.

Additionally, The BFG 2016’s trailers had me worried, as the titular Big Friendly Giant just didn’t quite look right – his neck too long and his eyes too small for his flapping ears… But in all his visual splendour, away from the brief snatches of footage teased in the previews, my fears were allayed by Oscar-winner Rylance’s country bumpkin approach to the towering sandal-wearer. It is a reserved and charming portrayal – even if on paper he is a lonely old man kidnapping a young girl…(!!)

Ruby Barnhill as bespectacled ten year old orphan Sophie occasionally veers into “little madam” territory, but some concessions to fear and anxiety do soften the feisty-but-diminutive redhead, making for an assured performance from the newcomer in her debut big screen performance.

Kiddles (that’s children to you and I) will be positively awestruck by the wondrous realisation of the magical rainbow-lit dream tree and the misty mountains of Giant Country, with John Williams once again expertly orchestrating the necessary emotional undercurrent. The nine “filthsome” 50 foot brutes – with names such as Bloodbottler (Bill Hader) and Fleshlumpeater (Jemaine Clement) – who plague the reserved “runt” of the litter are just about silly enough not to give little ‘uns “trogglehumpers” (nightmares).

By having the same group of actors portray the CG-enhanced “frightsome” Giants as were early-on reprimanded by insomniac Sophie for causing a drunken scene during the witching hour, I was deceived into expected an additional narrative twist to Dahl’s classic tale (for instance, is it all a “ringbeller” dreamt by Sophie?), but Mathison – in what was to sadly be her last screenwriting credit – sticks to the well-known plot, with the final act visit to “Her Majester” Queen Victoria (Penelope Wilton) propelling the narrative – and cast list! – far beyond the slower and more tranquil pace of the opening half.

Once you have adjusted to the unconventional “gobblefunk” dialogue, human beans of all ages (and heights!) will find something to smile about in this family film, while the target demographic will be howling with delight – particularly when the royal corgis are “whizpopping” around Buckingham Palace after lapping up some “frobscottle”. Add an extra CR@B to The BFG’s Claw Score if you’re below double digits.

CR@B’s Claw Score: 3 stars