Toni Erdmann (Cinema Review)

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15 – 165mins – 2016


 

IT FOLLOWS

As endlessly quotable and perfectly formed as I find it, my mother has always had an issue with Napoleon Dynamite; she cannot laugh at the escapades of Jon Heder’s socially awkward moonboot-wearing amateur doodler because she finds his backward nature and ostracisation too sad. If anything, German director Maren Ade’s Best Foreign Language Oscar nominee, Toni Erdmann, walks the delicate between comedy and tragedy even more than Jared Hess’ 2004 cult breakout.

… Keep Scuttling!

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