15 – 86mins – 2013
Jake Gyllenhaal plays an average Joe college professor who catches a glimpse of a very familiar face in the background of a DVD he has rented, kickstarting an increasingly obsessive quest to track down his fame-seeking doppelganger (also Gyllenhaal). Well, I was sold by the synopsis! I didn’t even have to know that Oscar winner Denis Arrival Villeneuve was behind the lens – I needed to see this film and I was shocked that it had evaded my attention for five years.
… Keep Scuttling!
15 – 92mins – 2014
SON OF THE DRAGON
In my post-cinema analysis of last summer’s Tom Cruise-headlined reboot of The Mummy (read my review HERE), I openly acknowledged my enjoyment of the film in spite of its skew away from horror and more towards a supernatural action-adventure. However, it seems audiences (or a lack thereof) were more critical; just one entry in and Universal’s newly-rebranded Dark Universe is already in trouble. But The Mummy wasn’t always to be the opening chapter of this Monster Movie Expanded Universe…
… Keep Scuttling!
15 – 108mins – 2016
LOUIS IN BLUNDERLAND
Typically associated with the horror genre having created such prominent hits as Switchblade Romance, The Hills Have Eyes and Piranha remakes, Mirrors and Horns over the past 14 years, French director Alexandre Aja – still only 38 years old! – branched out from his comfort zone with this surreal adaptation of Liz Jensen’s bizarre 2005 psychological mystery novel.
15 – 79mins – 2011
SEX, BLOOD, DEATH… & LESBIANISM
“Sickly sweet but rotten…”
Alabaster-skinned British model Lily Cole (St. Trinians, The Imaginarium of Doctor Parnassus) conjures a haunting otherworldly peculiarity which makes her sublimely cast as Ernessa Bloch, the enigmatic new girl with a dark secret at an exclusive all-girls’ boarding school.
Sarah Bolger (Emelie, TV’s The Tudors) plays bright-but-obsessive student Rebecca who grows increasingly concerned at the intense control Ernessa seems to hold over her increasingly-frail best friend, Lucy (Sarah 11.22.63 Gadon). Is the enigmatic flame-haired wraith a coffin-slumbering vampire, or does Rebecca’s jealous simply know no bounds?
Suicide, suspicion, strangely strong shisha, sex and the supernatural are all spun together in this diminutive but evocative conspiratorial horror, based on Rachel Klein’s Y.A. novel. There are some truly impactful standout scenes – including a Carrie-esque dream sequence and a troubling peek inside Ernessa’s dusty room – but the story is compromised by some atrociously heavy-handed editing which brings up numerous plot points (swimming lessons, period pain, inappropriate kiss, outdoor sex) only to mothball any consequences.
There is some poetic flair in paralleling the inexplicable goings on with some of literature’s bloodsucking icons in Mr Davies’ (Scott Underworld Speedman) gothic fiction class, but the abrupt, sketch-like approach to assembling the narrative means The Moth Diaries ultimately fails to take flight. What is scarier than any shocks in this jump-free teen adaptation is that it was directed by the same acute eye as acclaimed thriller American Psycho, Mary Haddon.