Maze Runner: The Death Cure (Cinema Review)

12A – 142mins – 2018


 

SHANKS AND BIG WALLS

Back up and, err, running again (if you’ll pardon the wordplay) after a hefty-but-unavoidable production delay following lead actor Dylan O’Brien’s on-set accident, The Death Cure is a scintillating and welcome conclusion to returning director Wes Ball’s trilogy of dystopian sci-fi action-adventures based on author James Dashner’s hit series of Maze Runner novels.

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INSIDE NO. 9, 4.3 – “Once Removed” (TV Review)

Image result for inside no 9 once removed

BBC Two – Tuesday 16th January 2018 – 10pm

Created and written by: Steve Pemberton and Reece Shearsmith

Directed by: Jim O’Hanlon


 

MOVING CAN BE MURDER

Christopher Nolan’s intricately-assembled head-scratcher Memento meets black British comedy in Inside No. 9‘s inventive latest instalment, a murder mystery which starts at the end and works backwards in chunks of ten minutes at a time. By the end start (?) of “Once Removed” the scenario is clearer, the loose ends tied up and nobody is quite who they first purported to be.

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INSIDE NO. 9, 4.2 – “Bernie Clifton’s Dressing Room” (TV Review)

BBC Two – 10pm – Tuesday 9th January 2018

Created and written by: Steve Pemberton and Reece Shearsmith

Directed by: Graeme Harper


 

ONE LAST SERVING

“You can’t have crackers without cheese!”

Thirty years after once-hot comedy double act Cheese & Crackers bowed out of the limelight at the “arse end of variety,” Len (Steve Pemberton) and Tommy Thomas (Reece Shearsmith) reunite for one final gig in front of an invited crowd, at the invitation of Len’s daughter (Sian Car Share Gibson). But whereas Len is desperate to recreate their glory days (and antiquated “racialist” sketches), Thomas has moved on. Now a hot-shot business owner in digital marketing, he is deeply embarrassed by his frivolous novelty past.

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RED DWARF XII.1 – “Cured” (TV Review)

Dave – 9pm – Thursday 12th October 2017

Available to stream NOW from UKTV Play

Created by: Rob Grant and Doug Naylor

Written and directed by: Doug Naylor


 

TEA WITH MESSALINA

“Okay, starting her up…”

Having had to endure a ten year gap between 1999’s Series VIII cliffhanger and anniversary mini-series Back to Earth, followed by a further three-and-a-half year wait before the series-proper returned with 2012’s Series X, and another four before XI was commissioned, it’s fair to say that the comparatively sprightly 12-month turnaround between last year’s Red Dwarf XI and today’s UKTV Play online premiere of XII’s opener, “Cured”, feels like a mere blink of an eye – but more Dwarf is always a welcome treat and the sooner the better!

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STAR TREK: DISCOVERY, 1.1 – “The Vulcan Hello” (Netflix Review)

Streaming on UK Netflix from: Monday 25th September 2017

Story by: Bryan Fuller and Alex Kurtzman

Teleplay by: Akiva Goldsman and Bryan Fuller

Directed by: David Semel


 

LIGHT THE BEACON

“They are coming.”

After a century of only fleeting interaction between the Starfleet of Earth and the warriors of the Klingon Empire, a war is on the horizon as the Klingons pursue a “crusade of self-preservation” against those who purport to “come in peace.” Captain Philippa Georgiou’s (Michelle Mechanic: Resurrection Yeoh) USS Shenzhou is the Federation starship which first encounters the oncoming storm…

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War for the Planet of the Apes (Cinema Review)

12A – 141mins – 2017 – 3D


 

APE-POCALPYSE NOW

In my time as webmaster of The CR@Bpendium, I have noticed that a guilty tendency of mine is to lavish blockbuster sequels in franchises I adore with 5-star ratings. The Force Awakens and Rogue One, for instance, were always destined to be looked upon kindly by me, a long-time Star Wars fan. Yet more casual movie watchers may recognise issues, however minor, with both films which would impede a perfect score in the eyes of the general public.

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GLOW – Season One (Netflix Review)

All 10 episodes streaming from: Friday 23rd  June 2017

Created by: Liz Flahive and Carly Mensch

Executive producers: Liz Flahive, Carly Mensch, Jenji Kohan and Tara Herrmann


 

GIRL-ON-GIRL

                “Is this real?”

                “Who the fuck cares?”

Community cutie Alison Brie headlines this fictionalised account of the 1985 formation of the syndicated female wrestling promotion, the Gorgeous Ladies of Wrestling (or G.L.O.W. for short), which was highly publicised as being from the creator of Orange is the New Black. While Jenji Kohan does have an executive producer credit, GLOW’s creator duo – Liz Flahive and Carly Mensch – also have previous industry experience as writers of high profile US shows such as Weeds, Homeland and Nurse Jackie.

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