Enemy (DVD Review)

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15 – 86mins – 2013


 

MULTIPLICITY

Jake Gyllenhaal plays an average Joe college professor who catches a glimpse of a very familiar face in the background of a DVD he has rented, kickstarting an increasingly obsessive quest to track down his fame-seeking doppelganger (also Gyllenhaal). Well, I was sold by the synopsis! I didn’t even have to know that Oscar winner Denis Arrival Villeneuve was behind the lens – I needed to see this film and I was shocked that it had evaded my attention for five years.

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Unsane (Cinema Review)

Claire Foy in Unsane (2018)

15 – 98mins – 2018


 

THE GIFT OF FEAR

Magic Mike maestro Steven Soderbergh bounces back after what was, for me, an unengaging misfire (2017’s heist dramedy Logan Lucky) with a bold and unconventional low-key experiment: psychological thriller Unsane was filmed entirely on iPhones! While the film isn’t shot as though diegetically through a mobile phone (fear not, shaky cam haterz!), Soderbergh ratchets up the paranoia and tension with many tight angles and close ups. Combine this with murky, natural lighting and a lack of cinematic sheen and Unsane certainly succeeds in evoking a dark, unsettling tone.

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JACKSON LIVE IN CONCERT Starring WHO’S BAD (Live Review)

Lakewood, NJ - September 9, 2017

Wednesday 14th March 2018 – Ipswich Regent – £28.50

Official SiteTour Dates


 

TRANSATLANTIC TRIBUTE

Founded in 2003 and touring since the following year, hard-working American Michael Jackson tribute troupe Who’s Bad rocked the Ipswich Regent theatre in Suffolk last night as part of their ongoing UK tour. It’s a shame that the very same venue only hosted another tribute to the King of Pop in the form of Navi (commonly acclaimed the world’s number one tribute owing to his working relationship with MJ) a few short months ago, as otherwise the take up for this gig would no doubt have been far nearer to being sold-out. That said, the audience was healthy and up for a good time – and Who’s Bad more than delivered.

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The Strangers (DVD Review)

15 – 85mins – 2008


 

DOLL-FACED KILLERS

With the belated and long-teased sequel Prey At Night just opening Stateside (it was originally announced for a 2009 release date before entering development hell for the best part of a decade), I thought it was high-time I got my act together and finally watched the first Strangers film. Now TEN years old, the DVD has been lingering on my to-watch pile for far too long.

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Exorcist II: The Heretic (Blu-ray Review)

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18 – 117mins – 1977


 

CALL ME BY MY DEVIL NAME

Cynically made on-the-cheap by a new creative team after the two Williams (original Exorcist director Friedkin and author Peter-Blatty) flat-out refused to be involved in a follow-up, The Heretic was also beset by a mountain of production problems (its script was rewritten FIVE times DURING filming by uncredited writers; the final product scarcely resembles the first draft) and – rather predictably – it garnered near-universal derision upon release. Frankly, it’s a miracle that the franchise survived such a monumental blunder, but clearly the power of Pazuzu conquers all set-backs!

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It Comes At Night (Blu-ray Review)

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15 – 91mins – 2017


 

IT’S THE END OF THE WORLD AS WE KNOW IT

Having been intrigued by the stark and mysterious marketing campaign, I was devastated to miss writer/director Trey Edward Shult’s post apocalyptic horror at the cinema. Therefore, It Comes At Night was an instant blind buy on Blu-ray for me, on the strength of its critical acclaim alone. I purposefully refrained from reading up too much on the intricacies of the plot, only aware from a couple of podcast reviews I had listened to that it was ‘nothing like you expect’.

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The Open House (Netflix Review)

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15 – 94mins – 2018


 

DEATH MOVES IN

13 Reasons Why must be the sole reason why Netflix bought up this lacklustre home invasion thriller. Their acquisition team must be hoping that the presence of lead actor Dylan Don’t Breathe Minnette will persuade fans of the headline-making, smash-hit teen mystery drama series to give something else with him in a watch. Any viewers that do will no doubt be as disappointed as I was by this poor excuse of a horror from unseasoned all-rounders Matt Angel (an actor by trade) and Suzanne Coote, who wrote, produced and directed.

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Personal Shopper (Netflix Review)

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15 – 107mins – 2016


 

DESIRE FOR THE FORBIDDEN

Renowned by fans and detractors alike for her tight jaw and sullen gaze, former Twilight megastar and blossoming indie darling Kristen Equals Stewart is perfectly cast here as glum American spiritualist Maureen Cartwright. Moonlighting as a personal shopper for high-profile French fashionista Kyra (Nora von Waldstätten) while she stays in Paris, Maureen is mourning the recent death of her twin brother, who she shares a heart malformation with.

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Child’s Play (Netflix Review)

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18 – 87mins – 1988


 

BATTERIES NOT INSERTED

“Hey, wanna play?!”

The Conjuring‘s breakout star Annabelle – who has since been granted not one but two origin stories, reviewed HERE and HERE – may have recently reawakened the public’s fear in perturbed porcelain playthings, but the first toy to terrorise audiences (and court controversy for allegedly invoking violence in children) was creator Don Mancini’s possessed Good Guys doll, who over a near 20-year period has headlined a further six supernatural serial-killing sequels.

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Michael Jackson “SCREAM” (Album Review)

CD/digital download available: 29th September 2017

Vinyl record available: 27th October 2017

Produced by: MJJ Productions – Released by: Epic Records/Legacy/Sony Music


 

WELCOME TO YOUR DOOM

As Maestro of All Hallows Eve’s unofficial anthem, Michael Jackson has for many years been synonymous with the witching season. But it is not just on 1982’s monster hit “Thriller” (and that John Landis-directed 1984 short film) that the King of Pop got to indulge his love of the macabre in his music. While Christmas albums have long been a profitable tradition, this creepy compilation – the brainchild of the late star’s prolific Estate – is perhaps the first high profile Halloween-themed set. Executive producers John Branca and John McClain will hope Scream will rise from the grave to haunt record store shelves every October.

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