Justice League (Cinema Review)

12A – 120mins – 2017 – 3D – IMAX


 

A LEAGUE OF THEIR OWN

Having already directed two hugely successful Marvel team-up features, Avengers assembler Joss Whedon was brought on board to rival comic book juggernaut DC’s comparison piece to oversee post-production after original helmer Zack Snyder left Justice League following a family tragedy. We will never know completely – save for a hugely-unlikely commentary track on the home release – exactly how steadfastly Whedon stuck to Snyder’s vision, except that Whedon directed newly-penned reshoots yet is only ascribed as a co-writer, leaving Snyder with the sole director credit.

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Geostorm (Cinema Review)

12A – 109mins – 2017 – 3D


 

WEAPONISED WEATHER

Three years after top government official Max Lawson (Jim Sturgess) is forced to fire his ingenious-but-impulsive older brother, Jake (Gerard London Has Fallen Butler), from the global climate-control coalition which Jake designed, the senate beg Max to bring his bitter and estranged sibling back on board when the malfunctioning satellite station “Dutch Boy” threatens to unleash a storm of epic proportions across the Earth’s surface.

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The LEGO Ninjago Movie (Cinema Review)

Image result for the lego ninjago movie

U – 101mins – 2017 – 3D


 

THE QUEST FOR PIECE

With 2014’s Lord and Miller-scribed The Lego Movie proving to be a chuckle-stuffed block-buster, a whole universe of brick-based CG-animated feature film spin-offs were commissioned, with this modern-day karate-themed yarn following hot on the heels of February’s Batman solo adventure (which I reviewed HERE).

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It (Cinema Review)

15 – 135mins – 2017


 

IT FOLLOWS

Tweaking the timeline of Stephen King’s thousand-word tome slightly, the filmmakers behind this box office-record breaking horror hit have, very shrewdly, hit upon a meta jackpot. While Derry is still the US town plagued by the eponymous clown-faced being, the decade has been shifted to the late 1980s and the frequency of its child-napping attacks reduced from 30 to every 27 years. Not only does this mean that the newly-greenlit sequel will take place in the modern day, its also a nice little nod to the fact that It first haunted audiences 27 years ago in ABC’s 1990 mini-series (reviewed HERE).

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Annabelle: Creation (Cinema Review)

15 – 110mins – 2017


 

TOY STORY OF TERROR

With my recent rewatch of 2014’s unfairly-maligned Annabelle (reviewed HERE) still haunting my memory, I tentatively headed to the cinema ALONE to see the new and far more warmly-received prequel to a prequel, directed this time around by David F. Sandberg, who recently sent shivers down my spine in short film-expanded horror feature Lights Out.

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Annabelle (DVD Review)

15 – 95mins – 2014


 

DEVIL’S WELCOME

“It cannot truly ever be destroyed…”

Set before but filmed after James Wan’s 2013 horror hit The Conjuring (the sequel of which I reviewed HERE), Annabelle is the creepy doll-centric spin-off which has recently been given a Creation story, now in cinemas nationwide, which itself is set before but filmed after Wish Upon director John R. Leonetti’s period frightener.

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Dunkirk (Cinema Review)

12A – 109mins – 2017


 

ALLIED COURAGE

May, 1940. Allied troops are trapped on the beaches of Dunkirk. They require air, ground and sea cover from British and French forces – both naval and civilian – to see them safely evacuated as Germany advances into France.

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