Written by: Eoin Colfer
Published in the UK by: Egmont, 27th October 2016
AN INSTRUMENT OF PEACE
From page to screen and back to page again, award-winning Artemis Fowl author – and Ireland’s laureate for children’s literature – Eoin Colfer brings Marvel’s smart aleck comic book superhero to the North shores of his home country in this slick and snappy YA adventure which substitutes the colourful panel art we normally associate with the Iron Man property for zinging dialogue, explosive descriptions and profuse Irish stereotypes (“top of the morning,” leprechauns, Guinness, Riverdancing, “…, so” and U2 are all brought up – seriously).
… Keep Scuttling!
12 – 103mins – 2016
PRIOR KNOWLEDGE REQUIRED
“You saved a city. Help me save the world.”
With Erudite leader Jeanine (Kate Steve Jobs Winslet) killed at the close of last year’s first sequel, Insurgent, and Evelyn’s (Naomi Watts) soldiers increasing hostility within Chicago’s perimeter, Tris Prior (Shailene Woodley), Four (Theo James), Caleb (Ansel Elgort), Christina (Zoë Kravitz), Tori (Maggie Q) and the smug side-swapper Peter (Miles Teller) ascend the great wall and escape into the unknown beyond.
… Keep Scuttling!
15 – 79mins – 2011
SEX, BLOOD, DEATH… & LESBIANISM
“Sickly sweet but rotten…”
Alabaster-skinned British model Lily Cole (St. Trinians, The Imaginarium of Doctor Parnassus) conjures a haunting otherworldly peculiarity which makes her sublimely cast as Ernessa Bloch, the enigmatic new girl with a dark secret at an exclusive all-girls’ boarding school.
Sarah Bolger (Emelie, TV’s The Tudors) plays bright-but-obsessive student Rebecca who grows increasingly concerned at the intense control Ernessa seems to hold over her increasingly-frail best friend, Lucy (Sarah 11.22.63 Gadon). Is the enigmatic flame-haired wraith a coffin-slumbering vampire, or does Rebecca’s jealous simply know no bounds?
Suicide, suspicion, strangely strong shisha, sex and the supernatural are all spun together in this diminutive but evocative conspiratorial horror, based on Rachel Klein’s Y.A. novel. There are some truly impactful standout scenes – including a Carrie-esque dream sequence and a troubling peek inside Ernessa’s dusty room – but the story is compromised by some atrociously heavy-handed editing which brings up numerous plot points (swimming lessons, period pain, inappropriate kiss, outdoor sex) only to mothball any consequences.
There is some poetic flair in paralleling the inexplicable goings on with some of literature’s bloodsucking icons in Mr Davies’ (Scott Underworld Speedman) gothic fiction class, but the abrupt, sketch-like approach to assembling the narrative means The Moth Diaries ultimately fails to take flight. What is scarier than any shocks in this jump-free teen adaptation is that it was directed by the same acute eye as acclaimed thriller American Psycho, Mary Haddon.