Ready Player One (Cinema Review)

12A – 140mins – 2018 – 3D



Cineworld were in full alert last night with bouncers at the doors of their latest Unlimited Preview Screening to physically watch you switch off your mobile phones before you entered for an exclusive viewing of young adult sci-fi action adventure adaptation Ready Player One. This didn’t, however, stop the projectionists from messing up and starting the film too early, so we got to watch the opening five minutes twice in the space of a quarter of an hour.

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Early Man (Cinema Review)

PG – 89mins – 2018



Premier League heavyweights Tom Thor: Ragnarok Hiddleston, Eddie Fantastic Beasts Redmayne and Maisie Gold Williams headline a stadium-sized voice cast of homegrown funny-men and women, including Timothy Spall, Mirium Margoyles, Richard Ayoade, Mark Williams, Rob Brydon, Johnny Vegas, Gina Yashere and Simon Greenall (what do you know, there’s enough of them to make a football team!!) in this stop-motion Claymation feature from Wallace & Gromit and Shaun the Sheep creator Nick Park.

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Maze Runner: The Death Cure (Cinema Review)

12A – 142mins – 2018



Back up and, err, running again (if you’ll pardon the wordplay) after a hefty-but-unavoidable production delay following lead actor Dylan O’Brien’s on-set accident, The Death Cure is a scintillating and welcome conclusion to returning director Wes Ball’s trilogy of dystopian sci-fi action-adventures based on author James Dashner’s hit series of Maze Runner novels.

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Dracula Untold (DVD Review)

15 – 92mins – 2014



In my post-cinema analysis of last summer’s Tom Cruise-headlined reboot of The Mummy (read my review HERE), I openly acknowledged my enjoyment of the film in spite of its skew away from horror and more towards a supernatural action-adventure. However, it seems audiences (or a lack thereof) were more critical; just one entry in and Universal’s newly-rebranded Dark Universe is already in trouble. But The Mummy wasn’t always to be the opening chapter of this Monster Movie Expanded Universe…

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Jumanji: Welcome to the Jungle (Cinema Review)

12A – 119mins – 2017 – 3D



Based upon a children’s picture book from the 80s by Chris Van Allsburg, 1995’s Joe Johnston-directed adventure-fantasy film is fondly remembered by people of a certain age as being a much-watched childhood favourite. It also starred the late, great Robin Williams, which is perhaps one reason why a return to Jumanji was initially greeted with scepticism from the masses. However, Welcome to the Jungle is NOT a modern day reboot which tries to erase the charm of the first film, but a sequel which respectfully nods to and continues the story, expanding upon the world of the mysterious magical game.

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ZAPPED, 2.6 – “The Henge” (TV Review)

Zapped. Image shows from L to R: Barbara (Sharon Rooney), Howell (Paul Kaye).

Dave – 9:40pm – Thursday 16th November 2017

Available to stream NOW on UKTV Play

Created and written by: Dan Gaster, Will Ing and Paul Powell

Directed by: Dave Lambert



“Who wants to spend the rest of their life in Munty?!”

The date of the super-solstice is drawing near and Brian Weaver (James Buckley) is finally going to get the opportunity to be magicked back to 21st century Britain – and a change of clothes – provided liquor-loving conjuror Howell (Paul Kaye) can stay off the Rhubarb Seizures long enough to recant the spell! With Barbara’s (Sharon Rooney) new date (Ciaran Dowd) guaranteeing the gang easy access to the Henge, it seems like nothing will stand in the way of Brian’s return journey – except maybe for the two bounty hunters who are hot on the heels of the traveller from another world…

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Paddington 2 (Cinema Review)

See the source image

PG – 103mins – 2017



With so many childhood favourites from yesteryear being made (and remade in the case of The BFG and Pete’s Dragon) for the big screen, it is easy to look on these twenty-first century interpretations with caution. Be they originally books, films or TV shows, to fans of the beloved originals, a glitzy, modern angle could be deemed… improper. However, 2014’s Paddington – which saw Michael Bond’s marmalade-loving bear cub move from the jungles of Peru into the Brown family’s London residence – proved that new doesn’t always equal inferior.

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